October 30, 2019 10.49 am This story is over 53 months old

Sleaford art centre’s £1.2m upgrade signed off

Councillors debated the value of a rooftop gallery

Councillors in North Kesteven District Council have given the green light to the authority’s £1.2 million refurbishment project for Sleaford’s National Centre of Craft and Design – despite concerns over the loss of “magnificent” rooftop views.

The plans will see the top two floors of the building given over to MRI Software, which will move from its current premises in Westgate.

To compensate, a 200sqm ground floor extension is requested which will create a ground floor gallery, an artist workshop, a children’s zone and a performing arts studio.

It will also see a large indoor bistro and an outdoor seating area created on an extended platform over the River Slea.

Concerns were raised over the loss of the exhibition space, the impact on the remains of the former wharf for the Navigation Warehouse, the encroachment onto the river and the loss of public space – particularly when the flag raising took place on Armed Forces Day.

Ward member Councillor David Suiter supported the objections and laments the loss of the rooftop views of Sleaford and criticises the design.

“The design is not very good, it should be outstanding,” he says.

An artists impression of the expansion plans.

Councillor Gill Ogden said the rooftop gallery offered “magnificent” views.

Council leader Richard Wright, however, called it the “view of a thousand air conditioning units” adding he thought it was a “blight”.

He said it would enhance the building, improving sustainability and viability and address public concerns.

“Let’s not forget that before we converted this building it was a dilapidated seed unit covered in bird mess,” he said.

He added the development could begin the creation of a new public realm and the mark the start of renewed investment in the town centre.

Recommending approval, council officer Mark Williets said the NCCD, also known as The Hub, had evolved quite dramatically since it was built in the 1930s.

He said the changes “give the building clear definition and welcomes people to it.”

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