It divided public opinion and continued to attract criticism minutes before it was approved, but hopes of reviving tourism in Cleethorpes are now pinned on a 72ft tall palm tree sculpture.
Much of the debate surrounding the white palm surrounded the subjectivity of public art and how not all designs have to be relevant to the local area.
“What does a palm tree have to do with Cleethorpes?” was one question, which was immediately rebutted with “what does an angel have to do with the North East?”
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The back and forth over the sculpture subsided when it became clear that the project would be approved – but it was just one strand in the scheme to revive the fortunes of the town.
More than £7 million was secured two years ago to improve the image of the town and reconnect it with the community.
While palm trees may not have anything to do with a seaside town on the east coast of Lincolnshire, it has already attracted enough attention in its own right.
Statue of George Boole, which is set to be built outside Lincoln train station.
Conservative councillor Henry Hudson put it bluntly: “Whether you love it or hate it, we are going to go and have a look at it.”
The point is, local councils are looking at a vast array of ways to improve the image of their towns and cities.
Whether that be going cap in hand to Whitehall for funding or looking closer to home for inspiration.
So, while Cleethorpes may be scratching its head over why a giant palm tree is going to built on its North Promenade – the bigger picture is more important.
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Snooker can be a lonely and brutal sport, but that strive for perfection is what keeps Lincoln’s Steven Hallworth — the city’s only player to reach the professional level — coming back to the table, even when the angles are tight.
It’s been a whirlwind career for Steven Hallworth, Lincoln’s first and only snooker player to ever reach the professional stage.
In the world of art, where creativity knows no bounds, chainsaw wood sculpting stands out as a thrilling blend of danger and beauty. Imagine wielding a roaring chainsaw, not to fell trees, but to carve them into stunning works of art. This is not your average hobby; it’s an adrenaline-fueled artistic adventure that dates back to the 1950s.
Chainsaw sculpting transforms ordinary wood into extraordinary masterpieces, pushing the limits of what’s possible with a tool more commonly associated with lumberjacking. But this is no rough-and-tumble trade; it’s a craft requiring precision, skill, and a steady hand, where the risk only heightens the allure.